Friday, December 11, 2015

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http://www.factmag.com/2015/12/09/the-50-best-albums-of-2015/

http://www.factmag.com/2015/12/10/best-club-tracks-2015/

http://www.factmag.com/2015/12/06/20-best-music-videos-2015/





Page 4 of 21


Rumors of the music video’s decline have been greatly exaggerated.
Week after week, musicians release videos that aren’t just promotional pieces — they’re artistic statements of the highest quality that increasingly resemble short films more than the MTV fodder of yesteryear. Here are our favorites of 2015.
Also read:
The 30 best album covers of 2015
The 25 best reissues of 2015
The 10 best record labels of 2015
The 20 best free mixes of 2015
20. QT
‘Hey QT’
Dir: Bradley & Pablo

One of 2014’s best songs received a video in 2015, and it’s perfect: a pastel energy drink advert with virtual reality and the styling of a Gap ad.
19. Blanck Mass
‘Dead Format’
Dir: Konx-om-Pax

Our Dumb Flesh might be a ‘Dead Format’, but the music video certainly isn’t: Konx-om-Pax blends animation, live action and visualizations into a sensory-overloading freakout.

18. Adanowsky
‘Would You Be Mine’
Dir: Adan Jodorowsky

Alejandro Jodorowsky’s son follows in his father’s footsteps with this oversexed epic that features crucifix sex toys, post-coital rapture and the best set design of the year.









1


Dawn Richard

Blackheart

(Our Dawn Entertainment)

Dawn Richard has one hell of a story. Born in

5


Grimes

Art Angels

(4AD)

It’s already hard to remember how much the deck felt stacked against Claire Boucher before Art Angels. ‘Go’ split fans, entire album sessions were scrapped and delays stacked up over the years that saw Visions’ shadow grow longer. But Art Angels sees Grimes evolve, Pokemon-style, from the insular bedroom-pop of her breakthrough into a one-woman wrecking crew. Even the ideas that caused initial concern among fans left us floored – that song she talked about


Page 15 of 26


Throughout the year, For Club Use Only has rounded up each month’s most essential underground club sounds.
As 2015 comes to a close, it’s time to examine what stuck and what disappeared without a trace from the CDJs, laptops and Serato setups of the world’s constantly-changing club spaces.
With noise and trance tropes coming back in vogue, instrumental grime continuing to extrapolate on its core concepts and labels like N.A.A.F.I. and Príncipe Discos pushing exciting polyrhythmic forms, questions about the make-up, purpose and meaning of dance music have been brought up repeatedly this year.
Outside of the house and techno hegemony, the options for engaging a crowd of dancers are endless. The following 25 tracks fulfil a range of possibilities, from shock-and-awe to pure, ruthless functionality. The way we consume dance music has completely changed over the past few years, but quality club music is eternal.
Read more:
The 50 best albums of 2015
The 20 best Bandcamp releases of 2015
The 20 best music videos of 2015
The 30 best album covers of 2015
The 25 best reissues of 2015
The 10 best record labels of 2015
The 20 best free mixes of 2015
Akito
Akito
‘Dalston Dips’
(Trax Couture)

An absolute stomper from Akito and one of many tracks from the Trax Couture World Series that deserve a place here. Out to Rushmore for curating one of the most invigorating release series in years.
Bleaker
Bleaker
‘Hype (Funk)’
(Unknown To The Unknown)

Only the saddest of sad saps didn’t jump on the ‘Hype (Funk)’ and if you haven’t had a late night “sing along” to this late summer anthem over the past few months, you’re missing out.
Bloom
Bloom
‘Quartz VIP’
(Gobstopper)

Maybe even better than the original? Bloom’s ‘Quartz VIP’ comes through as one of the best songs in a stacked 2015 for Mr. Mitch’s Gobstopper outpost, a total assault on the senses that will surely be championed as being ahead of its time for years to come.
DJ Nigga Fox
DJ Nigga Fox
‘Um Ano’
(Príncipe Discos)

Releases from Nidia Minaj, DJ Firmeza, Niagara, Blacksea Não Maya and more all stuck out for Príncipe Discos this year, but it’s label star DJ Nigga Fox’s Noite E Dia EP that’s still in regular rotation. ‘Um Ano’ appears to tumble and trip over itself constantly, but the wooden percussion always seems to catch up and Nigga Fox’s characteristic swells and crashes give the track a one-of-a-kind feel.
Dreams
Dreams
‘Energy’
(Private Selection)

Dreams and the Private Selection crew have put on some of the best parties Los Angeles has to offer over the past few years, and it’s fitting that his Twisted Karma EP marks the label’s first solo release. As menacing as it is sneakily beautiful, ‘Energy’ is just one of those tracks that sounds classic from the first listen.
Hodge
Hodge
‘Burned Into Memory’
(Berceuse Heroique)

It’s been a break-out year for Hodge and any number of his tracks could have filled this position, but the raw intensity of ‘Burned Into Memory’ propels it into the top 25.
Imaabs
Imaabs
‘Voy’
(N.A.A.F.I.)

Imaabs joining the N.A.A.F.I. roster felt preordained and the Distancia EP does not disappoint, condensing the Chilean producer’s forceful style into four brilliant peak-time numbers. Releases on Trax Couture and Purple Tape Pedigree and excellent remixes for Dinamarca, Arkitect and Kali Muts filled out a banner year for Imaabs.
Jlin
Jlin
‘Guantanamo’
(Planet Mu)

While Jlin’s cataclysmic Dark Energy LP is better taken in as a whole, the politically-charged core and clattering drums of ‘Guantanamo’ are as good a representation of club music in 2015 as you’ll find on this list.
Kablam
Kablam
‘Spirito Sarrando’ (ft. MC Marcelly & G. Dufay / J. Savall)
(Self-Released)

Technically a blend of Rio De Janeiro’s MC Marcelly and 15th century choral music, ‘Spirito Sarrando’ is as outlandish a piece of dance music as you’ll find all year, a neck-snapping combo that lulls, snaps, drags and smacks in equal measures.
Kid Smpl
Kid Smpl
‘Respond/Ascend’
(Symbols)

Kid Smpl’s Respond/Ascend EP blends bits of jarring noise with bright, enticing melodies with remarkable ease, and the title track hits helium-high crescendos in a trance workout for people who don’t leave the house.
Letta
Letta
‘The Recluse’
(Coyote)

Letta’s deeply introspective Testimony LP is going down as one of the year’s best grime-related releases and ‘The Recluse’ is one of many melodically genius standouts from the Los Angeles-based producer’s debut album.
Lil Jabba
LiL JaBBA
‘BraSS TaX’
(Local Action)

Whether he’s taking on footwork, jungle or grime, LiL JaBBA’s tracks usually involve a delicate touch. But ‘BraSS TaX’ is not one of those songs, instead operating as an unwieldy, brass-heavy monstrosity that’s the most fun instrumental you’ll find this side of Butterz.
M.E.S.H.
M.E.S.H.
‘Epithet’
(PAN)

Really the only track from M.E.S.H.’s shapeshifting Piteous Gate LP that could have made it on a list of the top 25 club tracks, ‘Epithet’ hits on all the right levels, an all-enveloping effort that builds and then tears down.
Margaret Antwood
Margaret Antwood
‘Coincidence Pt. 2’
(B.YRSLF DIVISION)

Seven minutes of hydraulic sounds, clacking noises, new age synths and rubbery pings make up Margaret Antwood’s ‘Coincidence Pt. 2’ and the results are breathtaking – an exercise in patience, anticipation and, finally, release.

26


Father

Who’s Gonna Get Fucked First?

(Awful Records)

In a year dominated

31


Junglepussy

Pregnant With Success

(Self-released)

"Are you willing to feel straaange for a while?" That's what Junglepussy wonders aloud at the beginning of Pregnant With Success, an album that’s really only strange compared to its contemporaries. Junglepussy raps and sings with the velvety precision of generations past, updating


Page 9 of 21


Rumors of the music video’s decline have been greatly exaggerated.
Week after week, musicians release videos that aren’t just promotional pieces — they’re artistic statements of the highest quality that increasingly resemble short films more than the MTV fodder of yesteryear. Here are our favorites of 2015.
Also read:
The 30 best album covers of 2015
The 25 best reissues of 2015
The 10 best record labels of 2015
The 20 best free mixes of 2015
20. QT
‘Hey QT’
Dir: Bradley & Pablo

One of 2014’s best songs received a video in 2015, and it’s perfect: a pastel energy drink advert with virtual reality and the styling of a Gap ad.
19. Blanck Mass
‘Dead Format’
Dir: Konx-om-Pax

Our Dumb Flesh might be a ‘Dead Format’, but the music video certainly isn’t: Konx-om-Pax blends animation, live action and visualizations into a sensory-overloading freakout.

18. Adanowsky
‘Would You Be Mine’
Dir: Adan Jodorowsky

Alejandro Jodorowsky’s son follows in his father’s footsteps with this oversexed epic that features crucifix sex toys, post-coital rapture and the best set design of the year.
17. Kelela
‘A Message’
Dir: Daniel Sannwald

Kelela teased Hallucinogen with a video where her visage is as powerful as her voice; watch her be reborn as an anime avatar after shearing her locks.
16. Son Lux
‘You Don’t Know Me’
Dir: Nathan Johnson

Tatiana Maslany escapes plastic domesticity with a secret life as the leader of a cult where even simple acts — chewing gum, playing duck-duck-goose — take on creepy significance.
15. Neon Indian
‘Slumlord Rising’
Dir: Tim Nackashi & Alan Palomo

A tribute to the persistence of Miami Vice and Drive as aesthetic models, ‘Slumlord Rising’ explores a bizarro version of the first in one long tracking shot before a bloody, violent cliffhanger of a conclusion nods to the second.
14. The Soft Moon
‘Wasting’
Dir: Y2K

The Soft Moon’s post-punk dread soundtracks a video seemingly about the paranoia and fear inspired by institutions. Sensory deprivation, seizure-inducing strobe effects, body horror and — yes — Robert Forster give this a cinematic edge.
13. Charli XCX
‘Famous’
Dir: Eric Wareheim

Tim & Eric absurdist Eric Wareheim finds the dark side of this bubblegum outburst, focusing on the rotting hypebeasts and social media zombies that hide under the bed and in the closet of the internet and pop music.

... in the Growth of

foxy art...

Elvira Leite ( Virita é melhor)

Thursday, December 10, 2015

Interest rates in America




Interest rates in America

Buckle up

The first of three pieces on the Federal Reserve’s imminent interest-rate decision looks at whether America is ready for lift-off



SINCE interest rates hit rock-bottom in 2009, the Federal Reserve has repeatedly made optimistic forecasts about when they would start rising, only to delay the big day again and again. If the Fed has been a bullish coach, the markets have been trusting fans, continually believing that an increase is imminent, only to have their expectations dashed. At last, however, the moment seems to have arrived. On December 16th, when the Fed’s rate-setting committee meets, it seems all but certain to raise rates.
For that, thank the strength of the labour market. Unemployment, at 5%, is as low as most analysts reckon it can sustainably fall. During the recession, America lost 8.7m jobs. It has since gained 13m. In 2010 there were six unemployed workers for every job opening; today there are 1.5.

Wages, long stagnant, finally appear to be growing again, too. In September, when the Fed toyed with raising rates, average hourly pay had just grown by 2%, on an annualised basis, over the prior three months. Now that has risen to 2.8% (see chart). By one measure, wages grew by fully 4% in the third quarter of the year. Accelerating pay suggests that slack in the labour market has almost gone.


The pick-up in wages could peter out, however. Since the recession hordes of workers have left the labour force altogether: labour-force participation among 25- to 54-year-olds in the third quarter of the year was lower than at any time since 1984. If some can be tempted back to work, wages will be held down.
Moreover, the Fed’s preferred inflation measure stands at just 0.2%, well below its 2% target. Cheap oil bears much of the blame. But core inflation, which excludes volatile energy and food prices—and so is a better indicator of underlying price pressures—is only 1.3%.
Janet Yellen (pictured), the Fed’s chair, chalks up some of the shortfall to a strong dollar making imports cheap (the greenback is up by 19% since mid-2014). That effect should dissipate if the dollar’s ascent stops. There is also less scope for the oil price to plunge, having already fallen by almost two-thirds over the past year. This suggests inflation may pick up in 2016. That, in turn, argues for a rate rise soon, since monetary policy is thought to have only a delayed impact on the economy.
The Fed is in a jam, though, because it faces asymmetric risks. If it raises rates too soon, its scope to cut them, should the economy then sour, is limited by the fact rates cannot fall far below zero. If it waits until inflation is stronger, it has unlimited capacity to raise rates to tame it.
Getting this balance right will be tricky. Ms Yellen likes to emphasise that starting early keeps the journey smooth; abrupt rises later might rattle markets. Yet the Fed’s forecast for rates is steeper than what the market predicts. The Fed’s median rate-setter expects interest rates to rise to around 1.5% by the end of 2016; by contrast, traders expect rates of only 0.85% in a year’s time.
Two roads in a wood
Who is right depends on how the economy reacts to the first rise. That is hard to predict, because the channels through which monetary policy works are mysterious. Take consumption, which has driven America’s recent growth. The impact of rates on consumer spending is muted by the fact that, unlike in much of Europe, most American mortgages come with fixed interest rates, shielding many Americans from swings in monetary policy. The first rate rise will nudge up the cost of borrowing, but only very slightly.
Nor is a rate rise likely to slow investment much. The evidence for the responsiveness of investment to rates is mixed; business confidence is probably more important. If—as some think—a rate rise is a signal from the Fed that America’s economy is healthy, investment could even rise.
That leaves exports. If rising rates cause the dollar to appreciate further, American goods will become still more expensive abroad. America’s embattled manufacturers will not welcome that (a recent survey suggests manufacturing output shrank in November for the first time in three years). But another surge in the dollar is unlikely, since a rate rise in December is now widely expected.
If the Fed follows through on its forecasts, though, and raises rates faster than markets expect in 2016, the dollar may well rise further, dampening inflation quickly. Stanley Fischer, the Fed’s vice-chair, recently estimated that a 10% rise in the dollar reduces core inflation by half a percentage point within six months. For all her horizon-gazing, Ms Yellen is unlikely to persist with rapid rate rises if they push inflation too far below target in the short term.
Further falls in commodity prices could also keep the brakes on. This would drag down inflation directly, but could also reduce it indirectly by pushing up the greenback. Much of the dollar’s recent appreciation, on a trade-weighted basis, derives from weakness in the Mexican peso and the Canadian dollar. Those currencies weaken when commodity prices fall, argues Paul Ashworth of Capital Economics.
Most uncertain of all is where interest rates will end up. That depends on the so-called “natural” rate of interest; the sweet-spot which balances demand and supply. This is tricky to pin down, but it is commonly thought to be falling, in part due to systemically slower growth since the crisis. One estimate—based on work by John Williams, a rate-setter himself—puts the inflation-adjusted natural rate of interest at -0.1%, down from 3.1% in 2000. Given an inflation target of 2%, that points to rates eventually settling at just under 2%. That is worryingly low; in 2007, before the crisis, the Fed had leeway to cut rates by over 5 percentage points.
The last time monetary policy changed in a comparable way was in 1947, when the Fed started raising rates from a lowly three-eights of a percent, where they had sat for five years. This time, the wait for another stint near zero may not be nearly so long.

Nam June Paik & Eric Kroll

Dazed

The Korean TV artist who inspired fetish photography

Eric Kroll showcases unseen art and video that traces his collaborative work, including a Playboy Bunny and a humanoid robot, with visual artist and sculptor Nam June Paik