Wednesday, October 27, 2021

4 keys to max out

 

Heading to a golf resort? Remember these 4 keys to max out your experience

golf resort

These tips will help you max out your resort-golf experience.

COURTESY COSTA PALMAS

You want a warm-weather winter escape with your family, but you want to play golf too. (We don’t expect this to be much of a strain on your imagination.) Good news! With proper planning and the right attitude, you can have it all. Costa Palmas, a trendy new Cabo resort on the East Cape of the Baja Peninsula, is at the center of a new vacation golf movement pushing fun, accessible golf. 

So how do you max out enjoyment and minimize headaches? We have a few ideas. 

1. Get your steps in 

Plenty of resort-style courses are built for carts, which is well and good — they have cupholders, after all. But, if you’re on a beach vacation, there’s a good chance your morning round will be that day’s best exercise. Try walking, if you can. 

2. Take dead aim 

If you’re playing golf on vacation, you’re likely teeing it up on a brand-new course. Your stroke-play score might suffer but brush that aside. Get a friendly match going, gun for a few pins and pull off a couple shots you’ll remember later. 

3. Come equipped 

While the Robert Trent Jones Jr.–designed Costa Palmas course prides itself on playability, many other resort-style courses are particularly penal. Rocks and water lurk everywhere. You might want to bring a few extra balls. (In the pro shop, they cost double what you’d pay at home.) 

4. Remember the beach 

In this space we’d never tell you something as inane as “don’t get frustrated.” But we would suggest that after you’ve allowed yourself a moment of frustration, move on quickly. There’s another shot to hit, after all. There’s a bigger beach to get to, where both the chairs and the drinks come with umbrellas and there are no bogeys in sight.

Current Time 0:26
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Here are the absolute best golf resorts for families

GOLF Magazine just released its Top 100 Resorts in North America and here are the top five golf resorts for family vacations.

GOLF MAGAZINE

Subscribe To The Magazine

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Dylan Dethier

Dylan Dethier

GOLF.COM EDITOR

Dylan Dethier is a senior writer for GOLF Magazine/GOLF.com, The Williamstown, Mass. native joined GOLF in 2017 after two years scuffling on the mini-tours. Dethier is a 2014 graduate of Williams College, where he majored in English, and he’s the author of 18 in America, which details the year he spent as an 18-year-old living from his car and playing a round of golf in every state.






You want a warm-weather winter escape with your family, but you want to play golf too. (We don’t expect this to be much of a strain on your imagination.) Good news! With proper planning and the right attitude, you can have it all. Costa Palmas, a trendy new Cabo resort on the East Cape of the Baja Peninsula, is at the center of a new vacation golf movement pushing fun, accessible golf. 

So how do you max out enjoyment and minimize headaches? We have a few ideas. 

1. Get your steps in 

Plenty of resort-style courses are built for carts, which is well and good — they have cupholders, after all. But, if you’re on a beach vacation, there’s a good chance your morning round will be that day’s best exercise. Try walking, if you can. 

2. Take dead aim 

If you’re playing golf on vacation, you’re likely teeing it up on a brand-new course. Your stroke-play score might suffer but brush that aside. Get a friendly match going, gun for a few pins and pull off a couple shots you’ll remember later. 

3. Come equipped 

While the Robert Trent Jones Jr.–designed Costa Palmas course prides itself on playability, many other resort-style courses are particularly penal. Rocks and water lurk everywhere. You might want to bring a few extra balls. (In the pro shop, they cost double what you’d pay at home.) 

4. Remember the beach 

In this space we’d never tell you something as inane as “don’t get frustrated.” But we would suggest that after you’ve allowed yourself a moment of frustration, move on quickly. There’s another shot to hit, after all. There’s a bigger beach to get to, where both the chairs and the drinks come with umbrellas and there are no bogeys in sight.

HELMUT NEWTON. LEGACY

 


Helmut Newton New Exhibition

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HELMUT NEWTON. LEGACY

A RETROSPECTIVE SHOW ON THE
OCCASION OF HIS 101ST BIRTHDAY

31 October 2021 – 22 May 2022

Helmut Newton can be grasped only with difficulty. Most of us believe we know his work, at least its important aspects. Yet the German-Australian photographer left behind an oeuvre so uniquely influential and iconic that every systematic effort to come to terms with it, with even the slightest claim to comprehensiveness, is doomed to failure. And so is this chronological exhibition, which will tour internationally after its Berlin presentation, just another attempt to get closer to what is among the most published bodies of photographic work ever. It is at once of our time and timeless; it still disturbs and fascinates us.


Helmut Newton, Elle, Paris 1969

Newton arrived at his inimitable style in Paris in the 1960s, his dynamic vision manifested, for example, in a series of photographs of the then-revolutionary fashion designs of André Courrèges that he took for the British magazine Queen in 1964. In retrospect it is clear that Newton needed an adequate sparring partner: working with kindred spirits was essential for the successful fulfillment of any photographic assignment and ultimately it opened the door to the avant-garde. This symbiosis was repeated in his intense collaborations with Yves Saint Laurent, Karl Lagerfeld, and Thierry Mugler.
His female models from the 1970s appear singly or in groups, usually elegant and eroticized, sometimes anarchic and playful. Although primarily fashion images, at the same time they subtly comment on contemporary society, exploring the radicalization of bourgeois youth. Newton always found inspiration for his presentations in real-life situations but, with Newton, one can never be certain where the reality ends and the illusion begins.


Helmut Newton, Woman examining Man, Calvin Klein, US Vogue, St. Tropez 1975

His interest in portrait photography also evolved during these years, supported by commissions from many magazines. His portrait subjects included figures from the worlds of film, fashion, and the arts, and embraced the famous, the fascinating, and the notorious. He develops an individual scenario for each.


Helmut Newton, Prada, Monte Carlo 1984

In 1981, Newton’s Naked and Dressed series appeared in both Italian and French editions of Vogue and then in his own books. Even if in retrospect the shock contrast of these diptychs—models posed identically naked and dressed—defined the zeitgeist, their publication broke a fundamental taboo. His photographs reflected changes in the role of women in society. Throughout his career he knew better than any other photographer how, metaphorically, to place women on a pedestal. In his early fashion photography this was perhaps a matter of conventional gallantry; in his later work it was, rather, a clear acknowledgement of the power and authority of the female.


Helmut Newton, Thierry Mugler Fashion, US Vogue, Monte Carlo 1995

His cross-genre and provocative work over six decades defies categorization. Newton combined commerce with elegance, and voyeurism with style, to create an inimitable mélange that could scarcely be disentangled.

For the duration of the retrospective, June’s Room will host a special exhibition on the work of June Newton aka Alice Springs – in memory of the foundation’s president, who passed away in Monte Carlo in April 2021 and has since been laid to rest next to her husband in Berlin.


Alice Springs, Yves Saint Laurent and Hazel, Paris 1978

To accompany the exhibition HELMUT NEWTON. LEGACY, an extensive catalogue under the same title has been be published by TASCHEN, edited by Matthias Harder: Hardcover, 24 x 34 cm, 424 pages, ISBN 978-3-8365-8458-6

We are also preparing Helmut Newton shows in Sankt Petersburg, Barcelona, Melbourne, and Monaco, to be opened in December 2021, in April and June 2022. “Helmut Newton. Legacy” will travel from Berlin to Antwerp, Vienna, and Milan from Sommer 2002 onward.


Installation shot, „Stephan Erfurt. On the Road“ Foto: Gerhard Kassner

The exhibition “Stephan Erfurt. On the Road” at the project space at the Helmut Newton Foundation has been extended until 16 January 2022.

There are the current Covid state regulations valid to visit the Helmut Newton Foundation. Please book you entrance ticket beforehand at www.smb.museum/tickets

HELMUT NEWTON FOUNDATION
Museum of Photography
Jebensstrasse 2 / 10623 Berlin
info@helmut-newton-foundation.org
www.helmut-newton-foundation.org
Phone +49 30 3186 4825

OPENING HOURS
Tue, Wed, Fri, Sat, Sun, 11 a.m. – 7 p.m.;
Thursday 11 a.m. – 8 p.m., closed on Mondays

ENTRANCE FEE
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Art Monthly Magazine

 



November issue, online art, podcasts, art jobs, grants and more

Art Monthly Newsletter <newsletter@artmonthly.co.uk>27 de outubro de 2021 às 16:06
Para: jorgenuno.cardoso@gmail.com
What’s on this month – Art Monthly newsletter

NOVEMBER 2021 NEWSLETTER

Magazine • Calendar • Maps • Podcasts • Opportunities

Art Monthly Magazine

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CONTENTS

Issue 451, November 2021

artwork image

Hiwa K, View from Above, 2017

FEATURE

Pinned Down

Hiwa K interviewed by Chris Clarke

For me, it is important in every work to be a betrayer, to not be loyal to my ideas. Otherwise you become a designer. And sometimes you have to surprise yourself. I cannot make a setting and stick to it, because I get stuck in it.

artwork image

Jason Hirata, ‘From Now in Then’, installation view at Fanta-MLN with Painted Square, 2021, on the floor and Car, 2021, which took viewers wherever they need to go after visiting the exhibition

FEATURE

Remote Working

Saim Demircan finds that working remotely has given rise to new ways to think about accessibility, labour and authorship

Perhaps the absence of the artist commits a final act of anti-objectification, eschewing the prerequisite in the art world to be ‘everywhere’ at all times.

artwork image

Barbican Stories: an indispensable record of discrimination in the workplace

FEATURE

Crisis Communications

Chris Hayes argues that, despite its faults, social media can still be used a tool against powerful vested interests

Part of what fascinates me about the art world’s use of Instagram is this tension: how fluidly a vernacular of call-outs and accountability, calls to defund and abolish, are adopted and performed on platforms that are easily dismissed and rarely carry any stakes.

Art Monthly cover 

From the Back Catalogue
Activism as Art
Activism is not an add-on says Tom Snow
First published 2019 – now free online


artwork image

Adam Farah, Spiritual Teething, [date?]

PROFILE

Adam Farrah

Larne Abse Gogarty tugs at the cultural references of the London-born artist also known as free.yard

Farah offers a way of negotiating nostalgia, sentiment and universality while asking viewers to negotiate their own particularities of class, race and history.

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EDITORIAL

Eh?

Why do cultural agencies persist with stifling bureaucratic language that acts as a barrier to non-corporate voices?

When applying for a grant, for example, the first test of eligibility appears to be whether the applicant can understand and negotiate – digest – the sheer quantity of verbiage required in the process.

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ARTNOTES

University Action

University lecturers go on strike at the Royal College of Art and Goldsmiths; Cuban artist Tania Bruguera agrees to political exile in return for the release of activists; Manchester’s Centre for Chinese Contemporary Art restructures in response to accusations of institutional racism; Unesco finally recommends that the Parthenon Sculptures be returned to Greece; plus the latest on galleries, people, prizes and more.

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Peggy Ahwesh, Lessons of War, 2014, Spike Island

EXHIBITIONS

Thea Djordjadze: all building as making

Martin Gropius Bau, Berlin

Mark Prince

Gregg Bordowitz: I Wanna Be Well

MoMA PS1, New York

Benoit Loiseau

Peggy Ahwesh: Vision Machines

Spike Island, Bristol

Adam Hines-Green

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Margate Now: Sunken Ecologies

Royal Esplanade, Westbrook

Ellen Mara De Wachter

Tip of the Iceberg

Focal Point Gallery, Southend-on-Sea

Matthew Bowman

Illiberal Arts

HKW, Berlin

Luisa Lorenza Corna

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Angelica Mesiti: In the Round

Talbot Rice Gallery, Edinburgh

Tom Denman

Untitled: Art on the conditions of our time

Kettle’s Yard, Cambridge

Greg Thomas

Gustav Metzger at the Merz Barn

Merz Barn, Elterwater

David Briers

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The Toe, The Horse, The Sister

ARTISTS’ BOOKS

Maria Zahle: The Toe, The Horse, The Sister

Adam Heardman

Maria Zahle’s new publication is a book and an art-object that’s at least as concerned with breath as it is with geometry. The paper has been cut and styled and patterned with shapes, gaps, marks, typographic flourishes, intrusions upon the text. These intrusions become part of the language.

BOOKS

Boris Groys: Logic of the Collection

Daniel Neofetou

Boris Groys goes on to suggest that our inability to situate contemporary art anywhere else than ‘in an invisible space between the norm and the deviation from the norm’ means that we should all adopt the temporal position of the migrant.

BOOKS

Bluecoat, Liverpool: The UK’s First Arts Centre

Bob Dickinson

Bluecoat’s success in reinventing itself complemented the arrival of Tate Liverpool in 1988, and gave rise to Merseyside Moviola and the creation of Foundation for Art and Creative Technology (FACT), helping to secure the city’s European Capital of Culture status in 2008.

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Urias, Racha, 2020

FILM

Notes on Travecacceleration

Conal McStravick

In the titular video made in collaboration with Occulted and Joaquim Ramalho, Ode appears as a digital oracle, or orixá, who speaks from the hypermediated spectacle of the travesti and colonial archives.

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Diego Marcon, The Parents’ Room, 2021

REPORTS

Letter from Naples

Mark Sladen

The ambition that Giuseppe Morra brought to Naples is still detectable at his foundation, which has a hare-brained grandeur: its exhibitions have been mapped out for 100 years.

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Malgorzata Markiewicz, Medusa, 2021, Styrian Armoury

REPORTS

Letter from Graz

Agnieszka Gratza

In contrast to the stilted, familiar and rather cold vision of the continent that came across in ‘Europe: Ancient Futures’, here was a Mitteleuropa in the true sense of the word.

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Flora Yukhnovich, I’ll Have What She’s Having, 2020, estimated at £60,000–80,000, sold for £2.3m

SALEROOMS

Frieze Week

Colin Gleadell

In the past couple of years, the London market has looked fragile in the wake of Brexit, the expansion of Paris, the exodus of Italian dealers and the explosion of Asia into western markets. This year, Sotheby’s gave up about £60m of art, mostly by contemporary western artists, to its Hong Kong branch for a sale the week before Frieze.

artwork image

Beeple, Abundance, 2021, NFT physical token

ARTLAW

Automatic for the Beeple

Henry Lydiate

One of the highest-losing underbidders for Beeple’s Abundance NFT was Amir Soleymani, who was then required by Nifty Gateway to pay $650,000 for a numbered ‘second edition’. Soleymani was unaware that his initial registration for the auction had included a commitment to such a ‘second edition’ purchase, which he did not want, and refused to pay.

Art Monthly delivers hard copy to your door

45th Anniversary Offer

LAST CHANCE → Offer ends Sunday 31 October

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Free Digital Subscription

Full online access to the entire Art Monthly back catalogue of more than 450 issues stretching back to 1976.

All individual print subscriptions taken out during October 2021 will automatically be upgraded to combined print+digital subscriptions at no extra cost.

To take up the offer, simply purchase a print subscription and we’ll do the rest.

Annual print subscriptions start at only £33 + p&p

Art Monthly Calendar

artwork image

Rachel Pimm, weeds by the moon, 2020–21
Focal Point Gallery online

Selected Digital Resources

Many venues are focusing on digital programming during the Covid-19 pandemic. So instead of the usual list of events, here are links to some of these online artworks and resources.

Beacon_Transitions online from 9 July 2020

Responding to the uncertain future of exhibition culture, Beaconsfield invites artists to hold the space between physical and virtual sites in a new series of experimental commissions. With: Shahin Entezami, Andrew Pierre Hart, Monika Oechsler, Simon Tyszko & A.D. Crawforth
Beaconsfield
beaconsfield.ltd.uk

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Gallery Maps

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London and UK Gallery maps

Find the reopened shows with the Art Monthly gallery maps!


Podcasts

Art Monthly Talk Show

 

Art Monthly on the Radio

Art Monthly hosts a show to discuss the current issue at 8pm on the second Monday every month on Resonance 104.4 FM

On iTunes

The Art Monthly Talk Show is available as a podcast on iTunes – subscribe for free automatic downloads

Online

Audio recordings are available in the Events section of the Art Monthly website: www.artmonthly.co.uk/events

  • Oct: Maria Walsh on remote viewing moving-image art and Chloe Carroll on the work of artist Sam Keogh.
  • Sep: Matthew Bowman discusses the history of destruction both of and in art, and Jes Fernie’s Archive of Destruction.
  • Jun: John Smith & Alexandra Hull discuss Smith’s pandemic-era films Citadel and Covid Messages.

Opportunities

JOBS

Artist Development Curator

The Foundation is seeking an individual with a passion for supporting artists’ development to join the organisation in this role. We are looking for someone with experience of working with visual artists to mentor the fourth cohort of artists on this programme, engaging with organisations across all four nations.
Freelands Foundation, London | 1 Nov
freelandsfoundation.co.uk

promoted

Relationship Manager, Combined Arts

Arts Council England | 29 Oct
artscouncil.org.uk

Gallery Assistant

John Hansard Gallery, Southampton | 5 Nov
jobs.soton.ac.uk

Digital Content Producer

Henry Moore Foundation, Leeds | 10 Nov
henry-moore.org

Traineeship

Matt’s Gallery, London | 14 Nov
mattsgallery.org

Facilities Manager

Prince's Foundation, London | 14 Nov
mattsgallery.org

Director

PEER, London | 26 Nov
rosa@peeruk.org

Trustees

Artsadmin, London | Rolling
artsadmin.co.uk


COMPETITIONS/COMMISSIONS

YICCA Art Contest

Matalon Foundation, Milan | 10 Nov
www.yicca.org

The Hopper Prize

The Hopper Prize | 16 Nov
hopperprize.org

Derwent Art Prize

Derwent Art Prize, London | 4 Jan 2022
derwent-artprize.com


RESIDENCIES/FELLOWSHIPS

Engagement Fellowship for Artists

Spike Island, Bristol | 31 Oct
spikeisland.org.uk

Helsinki International Curatorial Programme

Frame Contemporary Art Finland & Helsinki International Artist Programme | 14 Nov
frame-finland.fi

Repairing the Present Open Call

S+T+ARTS Regional Centres | 21 Nov
starts.eu

Muir Trust Residency

Aylesbury, Buckinghamshire | 30 Nov
www.discoverbucksmuseum.org

Solitude Fellowship

Akademie Schloss Solitude, Stuttgart, Germany | 30 Nov
akademie-solitude.de

Inverlonan Artists’ Retreats

Inverlonan | Rolling
www.inverlonan.com

ARC Getaways

Stockton Arts Centre | Rolling
arconline.co.uk


SCHOLARSHIPS/GRANTS

Bursaries for Fundraising Qualifications

Bursaries of up to £1,500 are available for the Certificate and Diploma qualifications from the Chartered Institute of Fundraising.
RAISE: Arts, Culture and Heritage | 10 Nov
ciof.org.uk

promoted

SANE Creative Awards Scheme

SANE, London | 29 Oct
sane.org.uk

Four Nations International Fund

Arts Council England | 11 Nov
artscouncil.org.uk

Black Artists Grant

Creative Debuts | 30 Nov
creativedebuts.co.uk

ARTCRY

Artcry | 31 Dec
artcry.co.uk

The Weston Jerwood Creative Bursaries Programme

Jerwood Arts | 1 Mar 2022
jerwoodarts.org

Pollock-Krasner Foundation Grants

Pollock-Krasner Foundation | Rolling
www.pkf.org

National Lottery Project Grants

Arts Council England | Rolling
artscouncil.org.uk


WORKSHOPS

Artquest Outpost Online

Artquest | 31 Dec
artquest.org.uk


Submissions: Send opportunities to opportunities@artmonthly.co.uk

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Art Monthly 451: November 2021

Art Monthly coverArt Monthly back cover
Hiwa K

Interviewed by Chris Clarke

Remote Working

Saim Demircan

Crisis Communications

Chris Hayes

Adam Farah

Profile by Larne Abse Gogarty

Buy Now – select: