A pair of helical staircases sweep around the skylit atrium at the heart of the He Art Museum, which Tadao Ando completed in Guangdong, China, earlier this year.
Externally, the museum resembles a stack of staggered concrete disks, enclosed by a vertically slatted facade that gently filters light into the gallery spaces. Light is also drawn in through a large oculus in the atrium, designed by Ando to mimic the ethereal use of light in churches.
Over 1,600 reflective glass panels enshroud the bowl-shaped Depot Boijmans Van Beuningen, used by MVRDV to help the building blend in with its surroundings in Rotterdam's Museumpark.
It contains a mix of storage spaces and areas for art maintenance that will open to the public next year, making it the first publicly accessible art depot in the world. According to MVRDV, the goal is to offer a "new type of experience" for museum-goers.
Four angular volumes that are covered in diamond-shaped panels and arranged in a pinwheel formation make up the US Olympic and Paralympic Museum in Colorado.
It is designed by Diller Scofidio + Renfro to be highly accessible and features a spiralling ramp at its heart that offers access to all of the galleries. Smooth floors suited to wheelchairs also feature throughout, alongside benches with guards for canes and moveable cafe seating.
KoningEizenberg Architecture overhauled an old, damaged library in Pittsburgh that had been struck by lightning to create this children's museum.
The building's original worn-looking walls, brickwork and columns have been preserved to celebrate is history, and in areas, they are married with contemporary additions such as a white-mesh staircase and elevated walkway.
Vaulted red-brick galleries and courtyards that are sunken below ground define the Jingdezhen Imperial Kiln Museum in China.
Crafted by hand, the sweeping galleries are intended to evoke a collection of traditional brick kilns and pay homage to the museum's setting in Jingdezhen, a city known as the world's "porcelain capital".
Pools of water and artwork sit between the open arcades and monolithic, concrete walls of Plantel Matilde, the gallery and studio of Mexican sculptor Javier Marín that was drawn up by his brother, Arcadio.
Located on a former agave field in the Yucatan jungle, the building takes cues from the sculptor's works, as well as church cloisters and traditional hacienda courtyards.