Everything that passed in front of the lens of Sibylle Bergemann seems imbued with hints of steely glamor.

The celebrated photographer, who died in 2010, captured the life, parties, fashion, architecture, and youth subcultures of East Berlin at the height of the Cold War. With a sensitive eye and sense of irony not unlike that of contemporary artists such as Nan Goldin or Annie Leibovitz, Bergemann gained acclaim for edgy and triumphant portraits of women, as well as her views of the city where she was born. This makes her perspective especially vital post-reunification, when the memory of East German life was swept away.

Bergemann documented the transformations that took place in and around the city both before and after the collapse of the Berlin wall in 1989, subverting the propagandizing style that was prevalent at the time. For instance, in a series called “The Monument,” Bergemann systematically documented the creation and erection of statues of Karl Marx and Friedrich Engels by German Democratic Republic’s Ministry of Culture between 1975 to 1986. From today’s view, it is hard to tell whether these socialist icons are being constructed or dismantled. Instead, Bergemann’s photos seem to speak to the impermanence of political ideas.