Friday, March 8, 2024

solar farm hub

 


Exterior of Central Control Building by Bilgin Architects

Bilgin Architects shrouds solar farm hub with mirrored steel in Turkey

A facade of shimmering steel panels envelops this control centre that Istanbul studio Bilgin Architects has created in the plains of Karapinar, Turkey, for one of Europe's largest solar farms.

Named Central Control Building, it is designed by Bilgin Architects to act as a centralised location from which to monitor and control the expansive field of 3.2 million solar panels.

Aerial view of Central Control Building by Bilgin Architects amongst solar farm
The control centre sits in a field of 3.2 million solar panels

The solar power station is located in a region of Turkey with a desert-like climate, rendering it unsuitable for agriculture. Instead, it is being utilised as a solar farm to capitalise on its exposure to sunlight.

According to Bilgin Architects, Central Control Building is designed as a study of contrasts, with its shimmering metallic facade intended to juxtapose the textures of its arid surroundings.

Close up of stainless steel panels on the facade of Central Control Building by Bilgin Architects
The building's metallic facade contrasts with its arid surroundings

The facade is composed of 7,200 stainless steel panels, some of which have a polished, mirrored finish to reflect the surroundings and help the building blend in.

"Thanks to the high reflectance levels of the facades, the building becomes integrated with the geography it inhabits," founding partner Caner Bilgin told Dezeen.

"The silhouette of the horizon continues on the facades," he said.

Close up of perforated stainless steel panels of Central Control Building by Bilgin Architects
The facade is made of 7,200 stainless steel panels with varying transparency levels

The panels have varying transparency levels due to perforations in their surfaces and they are arranged in an irregular and layered formation determined by parametrics.

When viewed from the inside, this design means the panels act as a semi-transparent screen veiling the outside landscape. As daylight fades into night, the facade appears to turn "inside out" and reveals the internal spaces to those outside.

Night view of Central Control Building by Bilgin Architects amongst solar farm
Internal spaces are revealed at night thanks to the semi-transparent facade

The arrangement of panels also creates a dynamic play of light and shadow inside, while optimising airflow, preventing excessive heat absorption and enhancing the building's climatic comfort.

Meanwhile, their irregular placement generates a distinct and non-repetitive pattern on the facade, interacting with changing lighting and weather conditions.

Close up of the facade of Central Control Building by Bilgin Architects at sunset
Parametrics were used to determine the irregular placement of the steel panels

Central Control Building has a rectangular form to echo the grid layout of the surrounding solar panel field. It is single-storey and positioned at a distance to prevent overshadowing.

According to the studio, its low height also aims to minimise bird collisions with the reflective facade, with the help of the irregularities and varying transparency levels in the cladding.

Inside, Central Control Building houses offices and meeting spaces for the engineering and management teams.

It also takes on a semi-public role, with public areas to host educational events and exhibitions to engage people in solar technology.

Aerial view of Central Control Building by Bilgin Architects when sky is overcast
Its rectangular form is intended as an extension of the gridded solar farm

The interior is organised around a central courtyard to help guide circulation and delineate private and common areas.

This courtyard is intended as a refuge from the harsh climate, providing tranquil areas for relaxation. It has been planted with endemic plant and tree species that require minimal irrigation and maintenance.

Aerial view of the courtyard of Central Control Building by Bilgin Architects
The central courtyard informs the building's circulation routes

The trees are arranged to shade the interiors from direct sunlight in the summer. However, in the winter when they shed their leaves, sunlight can still penetrate the building to contribute to its heating.

"It's almost like a real oasis," Bilgin said. "It is a wind-receiving, non-dusty and shaded area. It almost acts as a machine that contributes to the energy efficiency of the building."

Close up of green roof and courtyard staircase of Central Control Building by Bilgin Architects
The courtyard is planted with endemic plant species

In contrast to the expansive field of man-made solar panels, the courtyard and interiors aim to bring a sense of human scale and nature to the landscape.

Completing the building is a green roof that provides insulation and incorporates a rainwater collection system that is filtered for plant irrigation and landscaping.

Aerial view of Central Control Building by Bilgin Architects
The building is positioned at a distance to prevent overshadowing the solar panels

Established in 2014, Bilgin Architects is an architecture studio led by Bilgin and Begüm Yılmaz Bilgin in Istanbul.

Other mirrored buildings in arid landscapes include Invisible House in Joshua Tree National Park desert and the Casa Etérea cabin ​​perched on the slopes of the Palo Huérfano volcano in Mexico.

The photography is by Egemen Karakaya.


Project credits:

Architect: Bilgin Architects
Architectural project team: Caner Bilgin, Begüm Yılmaz Bilgin, Cem Katkat, Serenay Gürkan, Elif ÖzüçaÄŸlıyan, Yıldırım Erbaz
Client: Kalyon Energy
Main contractor: Kalyon Construction
Interior designer: Bilgin Architects
Structural design: Attec Design
Mechanical design: Okutan Engineering
Electrical design: Erke Sustainable Building Design Consulting
Landscape design: Bilgin Architects and MY Landscape
Infrastructure design: Diyap Project
Facade consultancy: CWG Consultancy
Parametric design consultant: Cemal Koray Bingöl
Lighting design: UKON Lighting Consultancy
Acoustics: Mezzo Studio
Fire safety consultant: Mercek Fire Consultancy
Graphic design: Dilara Sezgin
Architectural consultant: Ä°dil Erkol Bingöl
3d print reception desk design and manufacturing: Rolab Studio
Architectural model: Serdar Albaz
Digital art works: Süleyman Yılmaz, Hakan Yılmaz, Ali Tan Uçer, Ecem Dilan Köse


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  • Avatar

    The visual animation of the exterior certainly helps it.

      • Avatar

        Juxtaposition of buildings and surroundings has been modernism's raison d'etre for decades. Tell us something we don't know, Mr. "Architect".

          • Avatar

            Interesting...but built in a nowhere land!

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                This is so dystopian :o.

                  • Avatar

                    Superstudio on the outside, Sanaa on the inside.

                      • Avatar

                        Did anyone else think this building was multi-storied, perhaps even ten, before reading that it is just one level? Making sure the exterior has "scale" used to be important.

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                          The solar farm reaching the horizon is a blink into our future, yet a strangely dystopian landscape. To confront this with a building protecting an oasis-like courtyard shielding us from this future seems conceptually wrong, or like a capitulation to what it takes to live on in the future. Or they didn’t care about these implications and just wanted to make a "cool building". Nevertheless, it seems like a lost opportunity to make a far-reaching statement on the state of our existence. Let’s just roll with a "cool building".

                            • Avatar

                              Not sure I buy some of the architectural language but what I do buy is that this is a substantive investment. Here in the US, the cutthroat budget would end up leaving operations with an unimaginative metal shed with minimal openings and amenities. Another reminder of how the empire doesn't collapse, it slowly disintegrates.

                              • Avatar

                                LOVE THE BUILDING! Some 35 years ago I was working on my thesis, in which I proposed a cluster of high rises (both residential and commercial) be mirrored and staggered in a way that everyone had a view. Views might after a few reflections be distorted but an improvement over looking at a grid of windows.

                                Inspiration was the Time Life building in Chicago. Driving into the city off the Dan Ryan/Kennedy, no matter the weather it always looked like a shining, sparkling jewel. Like the emerald city. No long can you see it that way due to newer buildings blocking that view.


                                Thursday, March 7, 2024

                                Full Swing

                                 

                                https://theathletic.com/5308433/2024/03/04/full-swing-review-netflix-golf/?source=email&campaign=9227665&email_login=cardoso.safe%40gmail.com&userId=14056917

                                ‘Full Swing’ review: Netflix’s golf series gets the big moments right

                                PONTE VEDRA BEACH, FLORIDA - MARCH 07:  Justin Thomas of the United States is recorded by a camera crew during a practice round prior to THE PLAYERS Championship on THE PLAYERS Stadium Course at TPC Sawgrass on March 07, 2023 in Ponte Vedra Beach, Florida. (Photo by Cliff Hawkins/Getty Images)
                                By Brody Miller
                                Mar 4, 2024

                                28

                                Save Article

                                Rory McIlroy was walking into the locker room at Oak Hill, his caddie and manager in tow, ready to blow it all up. He’d just finished tied for seventh at the PGA Championship in May 2023, and Brooks Koepka was on his way to passing McIlroy for his fifth career major.

                                And the “Full Swing” cameras were there.

                                “I almost feel like I want to do a complete reboot,” McIlroy said, hunched over on a bench.

                                “No you don’t,” manager Sean O’Flaherty said.

                                “No, I do. Because I feel like it’s the only way I’m gonna break through.”

                                O’Flaherty began to bite his nails and looked up at caddie Harry Diamond like a man who’d been through this before. McIlroy had just earned his fifth top-10 finish in his last six major championships. He was undeniably one of the three best golfers in the world. But at that moment …

                                “It feels so far away,” McIlroy said.

                                That’s in the first episode of the second season of Netflix’s “Full Swing” documentary series, a season that takes a clear and substantial leap from its debut. If Season 1 felt like an entertaining but generic and surface-level introduction to golf for new audiences, Season 2 is more of a lived-in, compelling narrative that gets into tough subjects and tells a complete story. If the former had an “everything is great!” vibe, the latter is raw and allows you to hang out in the little details of difficult moments (and the great ones).

                                It feels like it properly tells the story of what happened in golf in 2023, for better or worse. And yes, some might be because 2023 gave Netflix much more to work with. It allowed the season to smartly frame itself by opening with the tension around the PGA Tour’s potential deal with the Public Investment Fund of Saudi Arabia and then build the framing around the buildup to the Ryder Cup. Then it could dedicate two episodes to the United States versus Europe. But it also learned how to lean into those elements in ways the first season didn’t.

                                Some of it is about comfort. Showrunner Chad Mumm said Season 1, chronicling 2022 on the PGA Tour and LIV’s first moments, shot 750 hours of raw footage with 3,000 hours of archives brought in. This year it was 900 hours shot with 10,000 hours of archives.

                                “I think that we just became part of the fabric of life on tour in a way that was harder in Year 1 just only because we were brand new and nobody had seen the show,” Mumm said.

                                That’s the difference. That mixed with a better feel for how to pair storylines in an episode to tell a larger story about golf. You can feel the difference, leading to more raw moments of sincerity.

                                Play: Video

                                When the shocking June 6 announcement came about the framework agreement with PIF, the cameras were already inside Justin Thomas’ house and caught his reaction as he watched PGA Tour commissioner Jay Monahan on TV. They were at a Waffle House with Joel Dahmen and his caddie, Geno Bonnalie, as they saw it on their phones. They were in the car with Collin Morikawa and caddie Jonathan Jakovac spiraling in shock. Shortly after, they got McIlroy in the car, upset, saying, “I’m almost at the point where it’s like, f— it, do what you wanna do.” And then they could parallel all this with a shot of Dustin Johnson driving a boat, shades on and feeling validated in his decision to jump to LIV the year prior.

                                But they use that access in intelligent ways. The episode structures feel much more nuanced than in Season 1, when it was often, “Look, Justin Thomas and Jordan Spieth are friends,” or, “Tony Finau and Collin Morikawa are different.” Episode 1 balances the contrasting arcs of McIlroy and Koepka as they search for major No. 5. Episode 2 dives into the June 6 reaction while following one golfer who went to LIV, Johnson, and another whom many thought would, Rickie Fowler, as he has a comeback season.

                                “Full Swing” also digs into the real-life impact the first season had on some of its participants. Episode 3 is perhaps the season’s best, focusing on mental health in golf by showing the parallel of Wyndham Clark being given an ultimatum by caddie John Ellis and having his breakout, major-winning season and Dahmen becoming a massive star — because of the show — and not knowing how to handle it. You see a struggling golfer coming to terms with his issues in real time while those around him try to get through to him. Combining these stories was brilliant.

                                Joel Dahmen’s popularity on the PGA Tour grew as a result of his “Full Swing” appearance. (Junfu Han / USA Today)

                                It’s safe to say no golfer will come out of this season more beloved than Keegan Bradley. There’s an earnestness in his Ryder Cup pursuit and an extreme maturity in how he handles having the cameras on him as he takes the disappointing call from U.S. captain Zach Johnson.

                                That rawness is the difference. Having a cute episode about 21-year-old rising star Tom Kim is one thing. It’s another to commit time to how he rubs some people the wrong way and the lessons he has to learn as he goes through this maturation process. You see players taking him under their wings, but you also see all of them consistently giving him flak and trying to humble him. (Scottie Scheffler and Spieth, two fellow Dallas-area golfers, appear to be the leaders of this operation.)

                                go-deeper

                                GO DEEPER

                                Did The Match just become good again? A new format, bright stars helped

                                It’s one thing to commit an episode to the Fitzpatrick brothers. It’s another to have Alex Fitzpatrick, who isn’t even on the PGA Tour, not holding back that he is sick and frustrated about being known as Matt’s less successful little brother. It makes his incredible Open Championship run so much more rewarding.

                                Sure, you have moments when you wonder why we hear almost nothing of Jon Rahm’s Masters win and his move to LIV. We don’t meet Brian Harman even as he runs away with the Open Championship. Scheffler got a chunk of an episode in Season 1, but we hardly hear a peep about the world No. 1 this time around. That’s not a complaint — you won’t get every major winner every season. The best stuff is earned, not retroactively forced.

                                And no, Netflix won’t always have massive, sport-altering news each June. It won’t have the Ryder Cup each year. But one comes away from Season 2 with confidence that this has sincere value. And there’s a growing sense that each new installment will add more comfort, access and fully formed stories that can organically show you the journey that is men’s professional golf.

                                “Just being there for now two years of it,” Mumm said, “going into our third year feels like there’s a lot of trust. Everybody knows our crews now, and hopefully that means we fade away honestly and become part of the background and that allows us to capture the stuff that ends up making it into the show, the real stuff.”

                                I enjoyed the first season, but I thought there was a limit to my enjoyment. I didn’t want Season 2 to end. That’s because of the real stuff.

                                (Top photo of Justin Thomas: Cliff Hawkins / Getty Images)

                                Get all-access to exclusive stories.

                                Subscribe to The Athletic for in-depth coverage of your favorite players, teams, leagues and clubs. Try a week on us.

                                Brody Miller

                                Brody Miller covers golf and the LSU Tigers for The Athletic. He came to The Athletic from the New Orleans Times-Picayune. A South Jersey native, Miller graduated from Indiana University before going on to stops at the Pittsburgh Post-Gazette, the Indianapolis Star, the Clarion Ledger and NOLA.com. Follow Brody on Twitter @BrodyAMiller

                                COMMENTS

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                                P

                                Patrick S.

                                · Mon

                                So many golfers (looking at your Cantlay) seem to think the entirety of their job is to show up and play and that's all the entertainment fans are paying for. In the case of a Bubba Watson or Phil, or Seve, that was plenty because it was compelling.

                                So much of modern golf is risk adverse not go for broke, so it's much more accurate and sustainable, but it is not compelling. This goes so much further towards really helping the supporters get to know the players they can only project emotion onto.


                                B

                                Bob N.

                                · Mon

                                Nothings going to make Keegan beloved in my book. He's an odd ball.


                                P

                                Percy C.

                                · Mon

                                I did not realize Joel Dahmon struggled to handle his popularity. That’s a storyline I’m looking forward to seeing.




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