Moving into the journalism and art world in the 1960s, he captured the faces of the civil rights movement, Vietnam war protestors, activists, politicians and artists. His landmark 1979 portrait series The Western Project saw him journey across the American West to capture intimate and raw portraits of working class life.
As the first ever staff photographer at The New Yorker, he aimed to “photograph people of accomplishment, not celebrity, and help define the difference once again”.
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