Thursday, June 1, 2017

Álvaro Almeida acusa Rui Moreira de ser “traidor” e não ser de confiança

AUTÁRQUICAS 2017

Álvaro Almeida acusa Rui Moreira de ser “traidor” e não ser de confiança

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Candidato do PSD ao Porto não poupou críticas a Rui Moreira: traidor, déspota, populista. Cerca de 700 candidatos autárquicos do PSD estão reunidos na Maia, na Convenção Autárquica do partido.
Álvaro Almeida é o candidato independente apoiado pelo PSD no Porto
JOSÉ COELHO/LUSA
Autor
  • Agência Lusa
O candidato independente à Câmara Municipal do Porto, Álvaro Almeida, acusou este sábado o atual presidente da câmara do Porto, Rui Moreira, de ser “traidor”, populista, déspota e um independente sem enquadramento político e ideológico que não oferece confiança.
“Fez um acordo, ou um projeto comum, como lhe queiram chamar, com esse partido [Socialista] que incluía uma candidatura única, mas não resistiu a uma nova traição prescindindo do seu apoio. Negoceia lugares e oferece cargos à esquerda e à direita, conforme seja mais conveniente para a sua ambição pessoal. Em conclusão, governa conforme lhe apraz, sem orientação política, assente apenas no princípio de quem tem o poder, tem a razão“, declarou Álvaro Almeida, durante a sua intervenção no púlpito do Fórum da Maia, onde decorre a Convenção Autárquica Nacional do PSD.
Álvaro Almeida recordava o caso recente em que o movimento independente de Rui Moreira – Porto, O Nosso Partido ter anunciado que prescindia do apoio dos socialistas à recandidatura do autarca, e como consequência a 06 de maio Manuel Pizarro anunciou que ia ser o candidato do PS à Câmara Municipal do Porto nas próximas eleições autárquicas.
Um independente deste tipo, sem enquadramento político e ideológico, não é confiável. Como os eleitores que nele votaram já se aperceberam e, mais recentemente, o PS veio a perceber”, referiu Álvaro Almeida.
Para o candidato social-democrata, a forma de atuar de Rui Moreira não é de independência. A “isso chamo populismo, aliás se forem ao dicionário, podem ver que essa é a definição de despotismo. Não é por acaso que ele tem trazido para o debate o regresso da ditadura para Portugal”, declarou o candidato independente, referindo-se a declarações proferidas a 4 de maio, e noticiadas pela Lusa, onde Rui Moreira considerava que o modelo de voto em Portugal é “completamente anacrónico” e avisava que o futuro poderia passar pelo regresso da ditadura ou da democracia direta ou pela reorganização dos partidos.
“Um independente deste tipo é um bom exemplo de como não pode haver democracia sem partidos políticos e, por isso, quando decidi intervir na política do Porto, não podia deixar de o fazer associado ao maior partido português. Associei-me ao PSD por afinidade ideológica e porque o PSD representa os valores que me caracterizam e que são os valores autênticos das gentes do Porto”, enumerando o “espírito solidário” e a preocupação com o próximo”, a defesa do trabalho e acima de tudo da “ética e da liberdade”.
Os candidatos do PSD às eleições autárquicas de dia 1 de outubro vão assinar hoje uma carta de sete compromissos, como o rigor na gestão e a transparência na decisão, e que vão entregar ao líder do partido durante a convenção autárquica nacional, evento que encerra esta noite com a intervenção do presidente do PSD, Pedro Passos Coelho.
Na quinta-feira, a Comissão Política Nacional do PSD aprovou 58 acordos de coligação, 42 dos quais em exclusivo com o CDS-PP e apenas cinco com outros partidos.
Das 58 coligações aprovadas, apenas cinco não incluem o CDS-PP: em Leiria o PSD concorre coligado apenas com o MPT, na Covilhã (Castelo Branco), Felgueiras e Porto (distrito do Porto) avança coligado com o PPM e no Cartaxo (Santarém) apresenta-se às autárquicas em conjunto com o partido Nós, Cidadãos!.

Rise Above the Healthcare Debate – With Self-Insurance

How Small Businesses Can Rise Above the Healthcare Debate – With Self-Insurance


How Self-Insured Health Plans Have Become a Small Business Safe Harbor
Did you know there’s an alternative to the traditional route small businesses take when looking to get healthcare for their employees. You can pay an insurance premium to an insurance carrier and transfer the risk of covering any claims. However, there is a viable substitute.
“Self-insurance is an alternative,” says Mike Ferguson, CEO of the Self-Insurance Institute of America. “Instead of paying that premium up front to the insurance carrier, some companies decide they’d be better off paying the claims themselves as they are incurred.”
Simply put, the focus for a company’s healthcare costs gets shifted and becomes another operating cost of the business. Make no mistake, this isn’t a stop gap between Obamacare and Trumpcare. It’s a third option that takes the place of both.

Self-Insured Health Plans for Small Businesses

Standalone Option

Small Business Trends spoke with Ferguson and got the ABC’s of this standalone option.  He suggests that although there’s really no magic number that self-insurance is limited to  for a SMB, the 50 to 500 employee range is where this option is used most often.
According to the website, siefonline.org, self-insurance covers around 60 million individuals. Some of the benefits include giving the employer the ability to lower overall healthcare costs by avoiding the bumps in commercial insurance premiums and allowing for more direct and effective claims management.

Customized Plan

“Under a self funded model you can customize the plan to best meet the needs of your workforce as opposed to purchasing a more traditional group health policy that’s a more off the shelf kind of arrangement,” Ferguson says.
On the downside, there’s no surety of the claim’s costs without a set premium that doesn’t fluctuate over the year. This can make a difference in cost over the short term of one or two year periods, but over the longer run they tend to even out.

Stop Loss Insurance

That said, small and mid sized employers can purchase what is known as stop loss insurance which acts as a buffer against some of the higher claims costs that crop up through unexpected illnesses like some kinds of cancer. If claims exceed a certain amount the stop loss insurer covers the difference.
However, this option does require a more hands-on approach—you need to monitor the claims and take over the administration of any self-insured plan.
“The companies that are the most successful with self-insurance plans are the ones that realize this is a long term approach,” Ferguson says.
There are some small businesses better suited to the self-insurance model than others. Some of the characteristics that are a good fit include:  the bigger you are the better. That way you’ll be able to spread risk out and manage claims.
Ferguson explains how a strong balance sheet makes your small business a good candidate.

Good Cash Position

“You want to be a company with a good cash position because you need to be prepared to write a check when claims come in.”
Professional organizations like law firms and accountants fit the bill for self-insurance. Ferguson also points to work force stability as another litmus test. With employees that plan on staying, it’s easier to forecast the self-insurance costs.
If your small business is interested in setting up a self-insurance plan, the first step can be contacting a broker/consultant or third party administrator.
Woman at Desk Photo via Shutterstock


Ways to Use Automated Marketing for Your Small Business

6 Killer Ways to Use Automated Marketing for Your Small Business


6 Killer Ways to Use Automated Marketing for Your Small Business
If you believe that automated marketing and email marketing automation are the same thing, you’re not alone. However, as you can see from the chart below, the use of marketing automation extends beyond email. Pulled from the pages of the Email Marketing & Marketing Automation Excellence 2017 Report, this chart reveals the top six ways marketing automation is being used today:
6 Killer Ways to Use Automated Marketing for Your Small Business

Automated Marketing Techniques to Consider

Let’s take a closer look at each of these automated marketing techniques and how you might use them to promote your small business.

Email Automation

While automated marketing does extend beyond electronic mail, email marketing is by far the most popular use of marketing automation and the top digital marketing tactic used today. Much of this is due to the benefits of email marketing including more leads, higher conversions, and lower marketing costs.

Basic Profile Based Targeting

Profiles, for both your leads and customers, are the basis of the next four automated marketing techniques.
Targeting is the practice of focusing your marketing efforts on a specific group of people called a target market. Thanks to automated marketing tools, targeting, down to the individual level, is easier than ever, even across multiple channels such as email.
The power under the hood here is the profile. In recent years, marketing automation tools have gained the ability to learn a lot about your leads and customers from their behavior on channels including:
  • Your website: the products they browse, put in their carts, and buy, the content they read, and where they come from (e.g. a specific social media platform); and
  • Your emails: the emails they open and the links within those emails they click.
Based on these data points, you can hone your marketing efforts to a fine point by sending offers for the products and services in which they’ve implicitly expressed interest. In addition, you can use these profiles to target your customers using one of the four techniques below.

Personalization Using Dynamic Content

Whether on your website or via email, personalizing the experience is an effective way to market your products and services.
The best example of website personalization is Amazon’s recommendations. For each customer, they select the both genre and book recommendations based on your past purchase and browsing behavior. In the case of the image below, the customer buys a lot of science fiction and fantasy book and therefore, that’s what’s recommended to them for their next purchase:
6 Killer Ways to Use Automated Marketing for Your Small Business
When it comes to email marketing, the numbers show that segmenting your email list, sending different emails to different recipients based on their profile, is very effective.

Broadcast Timing Based on Location, Sign-Up Time, or Other Criteria

Timing is everything and then same is true for both email marketing and social media. If you don’t time your marketing messages correctly, there’s a good chance your email or social update will end up lost down in an inbox or social media stream respectively.
How do you know when to market? By using a customer’s profile which should contain all the clues you need including the time(s) they:
  • Signed-up for your email marketing list;
  • Most often visit your site and make purchases;
  • Open your emails and click on the links inside.
In addition, make sure to account for a customer’s time zone when configuring your automated marketing. For example, if you want to hit folks with an email first thing in the morning, use time zone targeting to stagger the email broadcast.

Advanced Segmentation

Segmenting your marketing efforts, especially your email marketing lists, is an important step to take when growing your small business. While there are a number of common segments to consider, you can break up and target your efforts in many different ways including:
  • Age;
  • Seniority;
  • Industry;
  • Content topic or format; and
  • Call-to-action clicks.
Every point of data you gather in a customer’s profile can be used to create an email segment. And use them you should – the more specific the segment, the more effective it will be.

Lead Scoring

Scoring your leads is an advanced form of segmentation, both for email marketing and beyond, that enables you to target the leads who are most likely to buy your products and services.
Many automated marketing systems include this feature which creates a lead score based on certain behaviors such as:
  • Emails opened;
  • Email links clicked;
  • Site visited;
  • Content viewed; and
  • Products viewed, added to cart, and purchased.
Each time a behavior occurs, it demonstrates the engagement of the lead and, the lead’s score goes up.

6 Killer Ways to Use Automated Marketing for Your Small Business

From on-site targeting to personalization, and lead scoring, you can use automation to more effectively market your products and services to both leads and existing customers. This automation extends well beyond email marketing and is worth considering as your build your marketing arsenal.
Marketing Automation Photo via Shutterstock





Wednesday, May 31, 2017

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HOW I COLLECT How to Collect Like Brooke Shields


HOW I COLLECT

How to Collect Like Brooke Shields—Actress, Model, and Studio 54 Regular Turned Art Collector

How to Collect Like Brooke Shields—Actress, Model, and Studio 54 Regular Turned Art Collector
Andy Warhol, Calvin Klein, Brooke Shields, and Steve Rubell at Studio 54
A few years ago, actress and model Brooke Shields renovated her Greenwich Village townhouse on West 10th Street to great fanfare—and more than a little controversy among her neighbors, who complained of the constant construction. Today, the interior of the home, designed by David Flint Wood and MADE architects, showcases Shields's blooming art collection, as the actress—once a personal friend to Andy Warhol and Keith Haring—has turned to collecting art since joining the board of the New York Academy of Art.
Shields, who was famously photographed by Richard Avedon (for Calvin Klein), Bruce Weber, and Ron Galella, found photography a convenient introduction into the art world, including in her collection a portrait of Jackie Kennedy Onassis—a gift from Galella. She soon expanded into painting, with works by Malcolm LiepkiHunt Slonem, and Will Cotton.
Shields recently told the New York Times that she's never spent more than $7,000 on a painting—an admirable achievment considering the formidable barrier to entry for new and young collectors, if not for the fact that the most prominent works of Shields's collection were gifts from Warhol and Haring themselves. Haring, in particular, was invited to birthday parties for the young model, and Shields's collection includes a unique drawing by the artist made on wrapping paper, which reads, "Happy 21 Brooke."
Shields currently sits on the board of the New York Academy of Art, an institution she first became involved with after attending a lecture by Cotton, and which piqued her interest in collecting art. In 2016, she took a more high-profile role, co-curating (with president David Kratz) the academy's booth at Nova's Ark Project in Bridgehampton, New York. Titled "Call of the Wild," Shields's curatorial debut featured thirty-some paintings, prints, and sculptures by alumni of the New York Academy of Arts, including Dina BrodskyJohn O'Reilly (whom Artspace interviewed), and Nicolas V. Sanchez, in a show "themed around the animal kingdom and the natural world."
Below, we've gathered a number of artists who appear in Shields's collection, with an eye toward afforability, inspired by Shields's $7,000 threshold.


Perched on a mantel in Shields's casual dining area is an oil painting by Malcolm Liepke, depicting five men gathered for a meal. Leipke’s wet-on-wet brushwork portrays young men and women in intensely intimate moments. Leipke has shown his works in exhibitions worldwide including Nikola Rukaj Gallery, Toronto; Albemarle Gallery, London; Arcadia Fine Arts, New York; Track 16 Gallery, Santa Monica, CA; and Buschlen Mowatt Gallery, Vancouver, B.C., among others.



Shields holds an iconic photogram of a child's christening dress from the artist's My Ghost series, which she displays as a part of a collection of fashion photographs, including works by Richard Avedon and Annie Leibovitz. Adam Fuss's photograms of smoke from the same series are more overtly ethereal. His work is included in the collections of the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, and the San Francisco Museum of Modern Art, among many others.



Hunt Slonem, widely known for his paintings of birds and butterflies, developed a fascination with these exotic figures during both childhood trips to Hawaii and time spent in Managua, Nicaragua. In her collection, Shields holds three paintings of rabbits, hung vertically as a triptych. Slonem's creations are part of the permanent collections of over 80 museums including the Metropolitan Museum of Art, the Solomon R. Guggenheim Museum, and the Whitney Museum of American Art.



Chalk it up to her time as a model, but Shields's living room is full of monographs by the most famous fashion photographers, including Richard Avedon, Bruce Weber—both of whom shot Shields in iconic campaigns for Calvin Klein and Barney's, respectively—Alfred Stieglitz, and George Hurrell. Among the prints lining the living room wall is a photograph by Robert Mapplethorpe, who is best known for his self-portraits and documentation of the queer S&M scene. More suitable for a living space is a book of his lesser-known but equally provocative flora still lifes.



After seeing prints of his work in a magazine, Shields fell in love with Will Cotton's saccharine paintings. On their tenth wedding anniversary, Sheilds's husband, producer Chris Henchy, commissioned Cotton to paint two portraits of their two daughters. Shields and Cotton have since grown close due to their joint involvement with the New York Academy of Arts, of which Shields now sits on the board.

  

Perhaps one of the most iconic fashion photographers working today, Annie Leibovitz is a natural fit for Shields's collection, as Leibovitz's work has also found acceptance in the art world, with her considered compositions, fantastic sets, and cinematic style. In addition to receiving a Lifetime Achievement Award from the International Center of Photography and numerous other awards, Leibovitz's work is held by the National Portrait Galleries of both Washington, DC, and London; the Brooklyn Museum; Maison Européenne de la Photographie, Paris; and the Hermitage Museum, St. Petersburg, Russia.



Shields has a number of works by Keith Haring, which were gifts by the artist himself. One, a drawing that reads "Happy 21 Brooke," was used to wrap a gift for the actress on her birthday. A second work by the artist mounts the fire place in her living room, between two portraits of her daughts by Cotton. Shields first became familiar with Haring while regularly passing by his famed "Crack Is Wack" mural in East Harlem.



Perhaps the most valuable work of her collection, Shields's Warhol hangs in her laundry room. A regular of Studio 54 when she was a teenager (she attended the famed opening on April 26, 1977 when she was just 11 years old), Shields got her Warhol from the artist himself, who was also a regular at her birthday parties.


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