Monday, December 13, 2021

virtue of honesty

 

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Monday 13 December 2021
 


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The virtue of honesty requires more than just telling the truth
by Christian Miller



The virtue of honesty requires more than just telling the truth | Psyche

The virtue of honesty requires more than just telling the truth

An honesty box on Dartmoor, England. Photo by Loop/Getty

There is little controversy that honesty is a virtue. It is an excellence of character. It also promotes trust, fosters healthy relationships, strengthens organisations and societies, and prevents harm.

Sadly, though, honesty has gone missing in recent decades. It is largely absent from academic research. It seems to be rare in society. And it is not commonly found in discussions of how to become a better person.

What is honesty? How is honesty related to integrity, courage and tact? Is it always best to be honest? What are the ways of failing to be honest? These are important questions, but you will be hard pressed to find discussions of them among scholars. In my field of philosophy, for instance, outside of the work of my own team, there have been only two articles on honesty published in the past 50 years.

So what is honesty? It is a character trait that leads us to think, feel and act in honest ways. Let’s focus on the acting for a moment. Naturally, honesty stands in contrast to lying. But it is much broader in scope than that. It also is opposed to cheating, stealing, promise breaking, misleading, bullshitting, hypocrisy, self-deception, and still other forms of wrongdoing. It works against all of them, and so is extremely broad and impactful in scope.

What do all these behaviours have in common? What is at the core of honesty that enables it to cover so much moral ground? The answer, I think, is that honest behaviour is a matter of not intentionally distorting the facts as the honest person sees them.

Consider a student who lies about his grades to his parents. He is misrepresenting his academic performance on purpose to his parents. Or consider an athlete who knowingly uses a banned substance. She is mispresenting her performance as being due to her own efforts, rather than in part to the contribution of the substance.

Honest behaviour is tied to how a person sees the world, to the facts as subjectively understood. If someone genuinely believes the Earth is flat, then, when he reports that belief to a friend, he is being honest, even though the statement is false. Were he to say that the Earth is round, he would be acting dishonestly, even though the statement is true.

If the only reason why the shopkeeper doesn’t cheat his customers is that he is worried about losing business, then he is doing the right thing for the wrong reason

That’s a bit about honest behaviour. How about motivation? In order to be a virtuous person, it is not enough just to act well. One’s heart behind the action matters too. Honesty is no exception. Telling the truth, even if one is reliable in doing so, won’t be an expression of the virtue of honesty if it is done just to make a good impression on others, or to avoid getting punished, or to secure rewards in the afterlife.

Indeed, in my view, any self-interested motive isn’t going to count as a virtuous motive for honesty. The philosopher Immanuel Kant made a similar observation with his example of the shopkeeper who charges fair prices even when he has a chance to overcharge certain customers. Kant claims that if the only reason why the shopkeeper doesn’t cheat his customers is that he is worried about losing business, if he were to be found out, then this would be a case of doing the right thing for the wrong reason. The same point applies for any other self-interested reason.

What would count as a right reason for honest behaviour, then? A variety of other motives, including:

  • loving motives (eg, ‘because I care about you’)
  • justice motives (eg, ‘because it would be unfair if I cheated on the test’)
  • friendship motives (eg, ‘because he’s my friend’)
  • dutiful motives (eg, ‘because it was the right thing to do’)
  • honesty motives (eg, ‘because it would be honest’)

If someone tells the truth for any of these reasons, it is hard to fault the person’s character. But they are rather different reasons. I think we should be pluralists here, and allow any or all of these to count as what could motivate an honest person to act.

There is much more to say about the contours of this virtue. But already I have said more than most have in a long while.

Here is another way that the virtue of honesty has gone missing – it seems to be rarely possessed by people today. You might conclude this from the nightly news or from your own lived experience. But I am especially interested in what can be concluded from empirical research in psychology and behavioural economics. In a variety of different types of experiments – using die rolls, coin flips, self-graded exams, and other measures of honest behaviour – participants regularly exhibit a pattern of behaviour that does not fit with our expectations of an honest person.

For instance, in a commonly used experimental set-up for assessing cheating, participants are given a 20-problem maths test, and are told that they will be paid for every answer they get right. In a study by Lisa Shu and colleagues, this was $0.50. In the control condition, there was no opportunity to cheat, and participants scored a 7.97 out of 20. In the experimental condition, participants got to grade the test themselves and shred their materials. Given the freedom to cheat if they wanted to, participants ‘scored’ a 13.22 out of 20. That’s a big difference.

As in many areas of psychology, some cheating studies have failed to be replicated

To take another example, online participants in a study by Christopher Bryan and colleagues had to flip a coin 10 times, knowing they would be paid $1 for each heads. The average ‘performance’ was 6.31 heads, well above chance. Even when another group of participants was warned, ‘Please don’t cheat and report that one or more of your coin flips landed heads when it really landed tails! Even a small amount of cheating would undermine the study,’ the average was still 6.22 in that group.

How do these findings line up with our expectations about honesty? A person who is honest will not cheat in situations where she is a free and willing participant and the relevant rules are fair and appropriate, even if by cheating she is assured of acquiring some benefit for herself. That’s what you might expect of an honest person, but it’s not what we see happening in these results.

Of course, these are only two examples. To draw any conclusions about character from just a few results such as these would be very unwise. Fortunately there are dozens and dozens of additional findings that I have reviewed elsewhere, including many more studies using shredder and coin-flip paradigms. The important point here is not what any one study shows, but rather what the patterns of behaviour look like in general and whether they align with our expectations for honesty.

This is also relevant to recent worries about the replication crisis and about fraudulent data. As in many areas of psychology, some cheating studies have failed to be replicated. For instance, a well-known shredder study initially found that recalling the Ten Commandments was effective in reducing cheating, but this result did not hold up in an attempted replication with many more participants from 19 separate labs. Furthermore, it was well documented that an influential study, which purported to show that insurance customers were more honest in their mileage reports if they signed at the top of a form rather than the bottom, was fraudulent.

Again, this is why it is so important to not rely on just a few studies when trying to think about how honest people tend to be. It is the broader patterns that hopefully tell a reliable story.

Finally, this story is about what the majority of people tend to be like. It is based on average performances. But averages can cover up exceptional behaviour. So we may have a bell curve, with some people who are highly honest and others who are highly dishonest, while the rest of us are somewhere in the middle. Furthermore, the story should be taken to apply, in the first instance, only to inhabitants of North America and Europe, since they tend to be the participants in the existing studies. The story may apply more broadly, but we don’t have nearly enough research yet to say.

Assuming that many of us are not honest people in a variety of circumstances, and assuming that honesty is an important virtue that we should cultivate in ourselves and others, it is important to take practical steps to do so. And here is a third place where the virtue of honesty has gone missing. For very little has been said about strategies for growing in honesty, and about testing those strategies to see if they are really successful.

In my own classes, we all read aloud the honour code before the students sign it and begin their exam

Here are three preliminary suggestions that might be fruitful, but that also need empirical confirmation. One is seeking out and better understanding exemplars of honesty. These can be historical exemplars such as Abraham Lincoln, or contemporaries such as a family member, friend, co-worker or community leader. Admiring role models for their honesty can lead to a desire to emulate those people, to make our own character better reflect the exemplars’ character. Sustained engagement with the exemplars can typically be more effective than one-time interactions, and relatable and attainable exemplars can have a greater impact than their opposites.

Another suggestion is to have regular moral reminders of honesty in our lives. Such reminders can make our moral norms salient, such that they more actively work against a desire to cheat, lie or steal. Honesty reminders can take a wide variety of forms, including diaries, readings, signs and emails. There can also be institutional reminders, which we encounter at work or school. One such moral reminder in many schools is an honour code, which students have to sign before taking a test. And there is some very preliminary experimental evidence that such a reminder can be effective in preventing cheating. Returning to Shu’s research, she and her colleagues also had groups of participants take the maths test after reading or signing an honour code. When there was an opportunity to cheat, the honour code made a difference: participants who did not read the honour code gave themselves an average score of 13.09 out of 20; those who only read the honour code scored 10.05; while those who both read and signed the honour code scored 7.91 (a realistic score for the test, suggesting that they did not cheat at all). In my own classes, we all read aloud the honour code before the students sign it and begin their exam.

A final suggestion is to work against our desire to cheat, a desire that can be especially powerful when we think we can get away with cheating, and benefit in the process. Such a desire seems to be at work in studies such as those by Shu and Bryan, mentioned earlier, and introspectively we can all recognise moments in our lives when it has influenced us as well. One straightforward way to try to reign it in is to increase the policing of cheating and impose harsher penalties on those found guilty. For instance, with the move in education towards take-home exams during the COVID-19 pandemic, computer surveillance of students taking those exams has become a big business, although not without giving rise to a number of moral and psychological concerns.

Increased policing and punishment for cheating might be effective in curbing dishonest behaviour, although that, too, is an empirical claim that needs further study. But, even if it does, that’s not enough to foster the virtue of honesty. As I said earlier, motivation matters too. Here, the motivation for not cheating would be punishment avoidance, and that is a purely self-interested motivation. While I tried to be very ecumenical about what can count as an honest motivation, this is one that’s not going to make it on the list.

Instead, the desire to cheat could be diminished in a more virtuous manner by fostering other virtues alongside honesty, such as friendship and love. If someone is genuinely my friend, I want what’s best for that person, even if it is at the expense of my own self-interest. Similarly, if I love others and care deeply for them, then I am concerned about their own good. The deeper the friendship and love, the less likely it is that we would be dishonest with others for our own gain.

This article draws on Christian B Miller’s book Honesty: The Philosophy and Psychology of a Neglected Virtue (2021), with permission from Oxford University Press.

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13 DECEMBER 2021

Friday, December 3, 2021

New Class of Collectors Emerge, Shifting the Market’s Taste

 

Art Market

The Canvas: Amid Surging Sales at Art Basel in Miami Beach’s VIP Preview, a New Class of Collectors Emerge, Shifting the Market’s Taste with Them

Installation view of Jack Shainman’s booth at Art Basel Miami Beach 2021. Courtesy of Art Basel.

Installation view of Jack Shainman’s booth at Art Basel Miami Beach 2021. Courtesy of Art Basel.

This Miami Art Week, Artsy is proud to be working with The Canvas, the premium art market newsletter, to deliver on-the-ground reporting from all the major fairs, including major sales, standout booths, and updates on what the art world’s top collectors and power-brokers are buzzing about and buying this year
If you’d like to receive more exclusive coverage from The Canvas and get access to the same insightful reporting that the art world’s leading blue-chip collectors rely on to navigate a rapidly shifting marketplace, we encourage you to subscribe and join their insider community.
When Art Basel last stormed the beaches of Miami back in December of 2019, all anyone could talk about was a certain hanging banana on the walls of Perrotin’s booth. Meanwhile, we were busy reporting on a growing number of exhibitors who were refusing to pay their invoices for the Hong Kong iteration of the fair out of fears that it might end up being cancelled due to reports of a mysterious virus coming out of Wuhan, China. (Spoiler alert: they were right.)
Oh, what a difference two years makes.
There’s a change in the air and anyone who was at Art Basel in Miami Beach’s First Choice preview yesterday must have surely felt it. Though Larry himself made the trip down and could be seen glad-handing collectors in his gallery’s booth for the first time in two years, and while Leo was spotted roaming through the aisles in his standard Basel uniform of sunglasses, hoodie, and baseball cap, the art world is hardly reverting back to its pre-pandemic normal.
Yes, that was Steve Wynn decked out in full Florida pink admiring the works in Acquavella’s booth. And yes, established collectors such as Maria Arena Bell, the Rubells, Peter Brant, the Mugrabis, Aby Rosen, and even Martha Stewart, all showed up on opening day. In fact, even mega-collector Bernard Arnault (who flew into Miami last minute with the entire Arnault clan in tow to attend the Louis Vuitton Men’s show after Virgil Abloh’s tragic death on Sunday) made time to stop by the convention center, which according to one knowledgeable insider we spoke to, was the first time the French billionaire attended any Art Basel fair in person. A shocking little factoid, we know.
But despite the attendance of the above, it would be hard to deny the sense that yesterday’s preview seemed to feature a far greater number of new and unknown faces than in years past. Some of this was by design, with fair organizers loosening long-held criteria required to exhibit—such as the need to maintain a physical gallery space year-round—as a way to diversify the fair’s DNA and shake things up for the better. And it was also at least partially due to the fair’s newly installed timed entry system which kept attendance from ballooning to unsustainable, COVID-risky levels; as well as the continued difficulty for Europe- and Asia-based collectors to travel into the U.S.
But regardless of the exact factors at play, the outcome was clear: The new school of collectors who have been dominating the market of late, the cohort propelling names like , and  to the forefront of the market’s collective consciousness, far outnumbered the well-known collectors of past generations, who in many ways, were the ones responsible for helping to grow the art market to the lofty heights it’s currently enjoying in the first place. And these Young Turks did more than just hobnob and air kiss over flutes of Ruinart (in this regard at least, the art world apparently is back to normal), they were actively buying. And they were buying a lot.
Our full sales report will come out later this week, but as expected on the heels of this season’s blockbuster auctions in New York, galleries reported a surge of sales on the fair’s opening day. Victoria Miro had pre-sold Yukhnovich’s 2021 painting Bombshell for £150,000 as well as six minuscule 8-by-5-inch works on paper by the London-based artist for £15,000 each. ’s pastel and charcoal work on paper It’s Nothing (2021) sold for $250,000 out of Jack Shainman Gallery’s booth while Blum & Poe sold ’s motorized My Fault Your Fault work for $80,000.
Pace placed a 2007  work Landscape (Tree) III with a client for approximately $1 million and sold an untitled painting from 2021 by Brazilian artist , who the gallery added to its roster last year, for $100,000 to an unnamed institution. Kasmin sold ’s 1985 painting Mute Transformations 1985 for $300,000, a few short months after the gallery announced representation of the estate. And Lisson Gallery sold two sculptures by  (whose solo show of new works opened at the ICA Miami this week) for $75,000 and $32,000, respectively.
Works on the higher end of the price range also continued to find surging demand. David Zwirner sold an  painting from $1953 for over $7 million. Edward Tyler Nahem Fine Art placed a 1962  painting with a client for an asking price of $2.5 million. A painting by  sold for $1.75 million out of ’s booth. And Mnuchin reported a string of high-priced sales including Basquiat’s Batman work on paper for $2.5 million, an  painting for $1 million, a 1978  painting for $650,000, and a 1986  painting for $775,000. And over in Hauser & Wirth’s sprawling booth, a new  painting, Going Out of my Mind, sold for approximately $1.4 million, tying an untitled 1940 painting by  as the most expensive work the mega-gallery sold at this year’s fair thus far.
In perhaps the best illustration of just how far this new class of collector has come in being fully embraced by the established, blue-chip art world, The Canvas can exclusively reveal that the buyer of the Condo painting at Hauser & Wirth wasn’t an understated longtime client of the gallery who’s been attending Art Basel fairs for decades and slowly but surely amassed their collection over time, but was rather the Miami-based collector John Marquez who we’re incredibly excited to announce is featured in our second-annual “Collectors Issue” publishing this Sunday. Surprise! (Be on the lookout for more names being announced throughout the week and subscribe here if you haven’t already.)
An ICA Miami trustee, Marquez got his start in the art world buying  and  works approximately 10 years ago before switching to emerging contemporary artists around 2016. Since then, he’s built an impressive collection of over 500 works by some of the hottest artists in today’s market—names like Smith, Nava, , and , just to name a few. He proudly posts pictures of the works in his collection on his Instagram profile which boasts over 10,000 followers. And following in the footsteps of esteemed Miami-based collectors like the Rubells, the Margulies family, and the de la Cruz family, he plans to make his collection open to the public in a converted warehouse in Allapattah which is set to open by Art Basel in Miami Beach 2022.
Marquez is a leading figure in Miami’s exploding collecting scene, many of whom gathered at the ICA in the Design District last night to toast the openings of the boutique-sized institution’s Fadojutimi, Hayden, and  shows at a boozy party cohosted by W Magazine. Karlie Kloss, Derek Blasberg, Bill Powers, and Christie’s Los Angeles VP, Alex Marshall, were just a few of the many well-heeled guests in attendance throughout the night. And it’s clear that the museum—and the community of collectors that has sprung up around it in recent years—certainly has a lot to celebrate this week, with Alex Gartenfeld, the ICA’s 34-year-old artistic director, helping to orchestrate seven acquisitions for the museum from galleries exhibiting in Miami this week, including works by Johnson and  from Hauser & Wirth, a piece by  from L.A.’s Various Small Fires, and a work by  through Château Shatto.
Ultimately, so long as they follow in the footsteps of the collecting giants of previous generations and resist the urge to sell works from their collections too early—an increasingly difficult temptation to resist given current prices—then this new generation of collectors could very well end up dictating the tastes and direction of the art market for many years to come.
The Canvas