As
a longtime editor and the creator of 10 Corso Como, Milan’s high-end
retail and dining complex, Carla Sozzani is a well-known figure in the
fashion world; and as the founder of the gallery there that bears her
name, she’s been a longtime force in the art world as well. What many
don’t know is that she is also a passionate collector of photography.
For more than 40 years, she has built a collection of over 650 works,
mostly in black and white, representing more than 70 artists from the
19th century to today: big names like Helmut Newton, Alfred Stieglitz,
August Sanders and Irving Penn, but also lesser-known photographers like
Xanti Schawinsky, an experimental artist from the 1920s.
Starting
this week in Paris, for the first time ever, the Galerie Azzedine Alaïa
will be showing a selection from her collection, curated by the
director of the Modern Art Museum of the City of Paris, Fabrice Hergott.
Sozzani had never considered exhibiting the photographs — in fact, she
never even really considered them a collection — but when Alaïa, a close
friend, asked her to show them in his gallery, she thought it might
offer the chance to revisit the works, and to see them with a new eye.
Together
with Sozzani, Hergott made a final selection of more than 200
photographs spanning the entire breadth of the collection. They decided
to hang the works alphabetically, rather than chronologically or
thematically — which has revealed some unexpected juxtapositions. “Like
every collection, this one is about obsessions,” Hergott says. “She
knows every single piece, and very well — this is clearly a passion. She
selects the unexpected, like a landscape by August Sander, known for
his portraits.” Even for someone as well versed as Hergott, there were
discoveries to be made in the collection, like the work of the
surrealist Welsh photographer and set designer Angus McBean.
Sozzani’s
long career in fashion, which began in 1968, is reflected as well, in
photos of Dior at Granville and Coco Chanel at rue Cambon, as well as
her own portrait by Dominique Issermann. And very appropriately for the
venue, there’s also a portrait of Alaïa himself by William Klein. “This
is really art,” Hergott says. “A fantastic image.”
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