Tuesday, August 9, 2022

IN PRINT

 

AUGUST 09, 2022




In Print: Summer Reading

Art in America’s second annual Summer Reading issue (June/July 2022) considers the relationship between art and books. Read More ⟶

By Art in America

IN PRINT: SUMMER READING

“To publish in print is old fashioned,” Lucy Ives observes in these pages, in a sustained look at contemporary artists who act as publishers. These artists, she continues, “imagine a reader who is sensuously aware, rather than paranoid or anxious.” It is a wonderful argument for the power of the printed page—I think of HonorĂ© Daumier’s images of readers, with their sense of total absorption—including the pages in the magazine you hold in your hands right now.

For this edition of our annual Summer Reading issue, we present you with a feast of approaches to the written word, from books by artists to artist biographies, from the book as a museum to reading performed in a museum. Jackson Arn takes stock of artist biographers, from Renaissance mythologizer Giorgio Vasari to Picasso chronicler John Richardson. The best of them wrestle with the tantalizing, ever-mysterious relationship between artworks and life stories. Photographer Dayanita Singh’s books take many forms. Her latest effort, she tells Tausif Noor in a lively “In the Studio” interview, includes DIY instructions for how to turn her books into exhibitions, and even turn yourself into the venue: “[B]uy a long jacket and cut pockets of a certain size, so that you can wear nine museums. You can walk into a room with them and invite everyone to a Dayanita Singh opening then and there. Pull out one of the books and hold it up: just like that, you’ve become the museum.”

There has been much talk over the past year of the prospect of a new sort of Roaring Twenties. In anticipation of our emergence from the pandemic, we were supposed to rush into a new golden age, comparable to that of the previous century, fueled by pent-up demand for sociability. Instead, we find ourselves in a world shadowed by war, fear, and recurring lockdowns, a stew of circumstances not dissimilar from those that led to Dada. And, as though on cue, we have our very own Dadaist in Nora Turato, whose performances, as writer Jameson Fitzpatrick puts it in a profile of the artist, “captur [e] the feeling of navigating the chaotic, confusing nonsense of the information age.” There is nothing passive about reading.  —Sarah Douglas, Editor in Chief 

View of an artist's studio, with a grid of black and white photographs pinned to a wall on the left side.
Dayanita Singh’s Delhi studio, 2022.PHOTO MOHIT KAPIL

DEPARTMENTS

FIRST LOOK

LaKela Brown by Hiji Nam

LaKela Brown’s “archaeological” relief plaques reference jewelry and small objects linked to Black heritage.

THE EXCHANGE

The Work of Worms by Alice Channer with Amy Stewart

An artist and a horticultural writer discuss the ecological contributions of earthworms.

HARD TRUTHS

by Chen & Lampert

Artist-curators Howie Chen and Andrew Lampert offer tongue-in-cheek takes on art world dilemmas.

CRITICAL EYE

House of Xtravaganza by Maria H. Loh

Since the Renaissance, masculinity has often been expressed through surprisingly florid attire.

BOOKS

Value and Its Sources by Caitlin Meehye Beach

A review of Henry Sayre’s Value in ArtManet and the Slave Trade and Anna Arabindan-Kesson’s Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World.

HANDS ON

Q&A with Daniel Tobin, cofounder and creative director of UAP (Urban Art Projects).

Art in America's June/July 2022 issue:
Nora Turato reading from pool 4, 2020, in Amsterdam.PHOTO SABO DAY

FEATURES

FROM GOD TO 10,000 HOURS

by Jackson Arn

Whether it’s Vasari’s Lives or the latest tome on Warhol, artist biographies survey stories behind works we revere.

KID STUFF 

by Hannah Stamler

Children once inspired modernist artists—and now they’re a prime demographic for aspirational art books.

EPIC PITCH

by Jameson Fitzpatrick

Nora Turato’s spoken-word performance work and publishing projects meld the bardic tradition with contemporary sales patter. A pull-out print by the artist accompanies the article.

IN THE STUDIO: DAYANITA SINGH

with Tausif Noor

The veteran Delhi-based artist explains why her wildly inventive photobooks are vital to the future of the medium.

FIT TO PRINT

by Lucy Ives

Independent presses and self-publishing have liberated artists to experiment freely with images and texts.

 

PLUS: 

ON ENUNCIATION AND ESCAPE

by Nicole Kaack

 

REVIEWS

Art in America's June/July 2022 issue:
Khalil Rabah’s installation Untitled, All is well, 2017, from his project “The lowest point on earth memorial park,” mixed mediums, dimensions variable.PHOTO DANKO STJEPANOVIC

WHITNEY BIENNIAL
Whitney Museum of American Art, New York
Simon Wu

“MATERNAR”
Museo Universitario Arte ContemporĂ¡neo, Mexico City
Gaby Cepeda

WALID RAAD
Paula Cooper, New York
Kaleem Hawa

DOROTHEA TANNING
Kasmin, New York
Jackson Arn

ANDRÉ CADERE
Ortuzar Projects, New York
David Ebony

AUSTIN OSMAN SPARE
Iceberg Projects, Chicago
Jeremy Lybarger

RYAN PATRICK KRUEGER
MONACO, St. Louis
Jessica Baran

VICTORIA GITMAN
François Ghebaly, Los Angeles
Annabel Osberg

SABRINA GSCHWANDTNER
Shoshana Wayne, Los Angeles
Leah Ollman

KHALIL RABAH
Sharjah Art Foundation, Sharjah
Emily Watlington

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