Saturday, January 27, 2018

Miles Aldridge (after Cattelan, Miller) and one Bettina Rheims






About Miles Aldridge

British fashion photographer Miles Aldridge has created a strange world populated by beautiful creatures in luxe, if artificially color-saturated, environments. His eerily erotic images call to mind psychedeliaPop Art, and the films of David Lynch, Dario Argento, and Pedro Almodóvar—as though capturing an entire film in a single shot. “I want to set a sort of unsettling message,” Aldridge has said. “But my trick is to sugarcoat it in these bright colors.” Aldridge, the son of noted designer Alan Aldridge, studied illustration at Central St Martins and directed music videos before becoming a regular contributor to the world’s top fashion magazines in the early ‘90s, including Vogue Italia, where he remains a key presence.
British, b. 1964, London, United Kingdom, based in London, United Kingdom










About Bettina Rheims

One of France’s most celebrated photographers, Bettina Rheims has captured images of women—nude and clothed—strip-tease artists, and performers, and taken portraits of actors and celebrities for magazines such as Elle and Paris Match. Her series “Modern Lovers” (1989–91) features androgynous adolescents, while in the controversial series “INRI” (1999), she pictured scenes from the life of Christ. More recently, a powerful Russian oligarch, Sergey Rodionova, commissioned Rheims to photograph his glamorous, jet-set wife, Olga. That led to a second collaboration between the two and the production of a book of explicit images of Olga, which explores ideas of female sexuality. Rheims also took the official portrait photograph of the former French president, Jacques Chirac, in 1995.
French, b. 1952, Neuilly-sur-Seine, France, based in Paris, France

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