What I get from your work is that you take this new technology that is most often used for comical graphics, and you force it into the world of fine art by using the human form as your subject matter, and by thoughtfully composing each piece. You also totally abstract your subjects and make us question who, what, and why. What is it like for you to take advantage of modern technology and place it in dialogue with the extensive history of fine art photography?
I don’t think that combining modern technology with fine art photography practice is a new idea. After all, the history of photography is one of advancing technology. For a long time photography was denied credibility as a true art form because of this. I love experimenting and challenging myself conceptually as well as technically.
How do you determine how long you want to make each piece?
It’s honestly not something I usually consider, but often I will have a few variations of the loops that are longer/shorter. I like to create longer pieces if I am going to be showing them in a physical space vs. in a social feed.
