PARIS — A woman undressing to take a bath is at her most vulnerable — alone, half-nude, self-absorbed, unprepared for prying eyes.
For centuries, however, women experienced the ordinary act of washing in less than complete solitude. Women of a certain class were rarely alone, even when attending to the most intimate parts of their bodies. Their lives were, in a sense, communal property, especially those of wealthier women who until the mid-19th century were the ones most frequently depicted in artwork, although prostitutes and mistresses were also subject matter.
The evolution of how women experienced bathing and grooming — and how artists portrayed those moments — is the subject of a thought-provoking
exhibition at the Musée Marmottan Monet here. The show, “La Toilette: The Birth of Privacy,” brings together more than 100 works, including paintings, etchings and drawings, that reflect the most private moments in a woman’s day, as she washes her hair, buttons her dress, and — in a couple of paintings that might appeal to the more prurient viewer — urinates and shows her bare buttocks.
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