Entitled (after), the projects are Aldridge’s personal responses to the three artist’s works, and stems from when Cattelan invited him to stage a photo shoot at his Parisian Not Afraid of Love exhibition back in 2016. The result was “bold, statuesque, Valkyrie-like nudes that seem to both haunt and dominate Cattelan’s sculptures of the pope, Hitler and horses in the rococo interiors”, a not to be missed creation.
No comments:
Post a Comment